Newsletter: SALT: THE GREAT MARCH (A visual art project) BY Shelly Jyoti 2013-15

NEWSLETTER

SALT:THE GREAT MARCH -(A visual Art Project 2013-15)

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Salt:The Great March Re-Contextualising Azrakh Traditions on Khadi in Contemporary Art and Craft 2013-15

By  Shelly Jyoti

Overview:

Salt: The Great March 2013-15 has been exhibited at Indira Gandhi National Centre for ArtsIGNCA, New Delhi (Sept 2013) ;India International centerIIC, New Delhi (Sept 2014);The Museum Dakshina chitra, chennai (Oct-Nov 2014); Azad Bhavan Gallery , Indian  Council of cultural relations ICCR, New Delhi (January 2015)

 The Salt March series explore salt as a symbol of non-violence. The project is inspired by the Gandhi’s theory of satyagrah – a challenge to ones own truth with stress on self-purification, self-examination and self-assessment. “Salt” series draws upon the history of India’s colonial past and Mahatma Gandhi’s 1930 Dandi March, which began the Salt Satyagraha and became an important part of the Indian independence movement. Within the Salt March series-khadi is re-contextualized as a contemporary social movement visualized through art and traditional craft materials and processes, seeking out the possibilities of bringing the khadi spirit into our daily lives.

The “Salt” series is a continuation of Jyoti’s earlier series, ‘Indigo Narratives (2008-14) that were inspired by an anti-colonial, nonviolence movement, 1917-18, Gandhi’s first non-violence protest for indigo farmers in India.

Shelly Jyoti’s present body of work features five site-specific khadi fabric installations including clothing, 35 artworks utilizing Ajarkh textile traditions on khadi fabric and spoken poetry video film.

Important E links

  E CATALOG PUBLISHED BY ICCR http://issuu.com/shellyjyoti/docs/shelly_jyoti__16_to_21_jan_catalogu/1?e=6187501/10933769

 E CATALOG PUBLISHED BY IGNCA

http://issuu.com/shellyjyoti/docs/brochure_1-64?e=6187501/11144822

AN INTERVIEW ON SALT MARCH AT THE MUSEUM , CHENNAI https://www.youtube.com/watch?v=5L3YLADTjBM

 ON THE MAKING OF SALT:https://www.youtube.com/watch?v=XO670z2yqxs

 INTERVIEW BY TV INDIA ‘INDIA CALLING’  https://www.youtube.com/watch?v=TZbIbRpOTxs

MULTI MEDIA POETRY VIDEO ART https://www.youtube.com/watch?v=WXl8bgjmA7Y

ARTISTS BIOGRAPHY https://shellyjyoti.com/about/biography/

 ARTIST PORTFOLIO https://shellyjyoti.com/portfolio/

 ARTIST PRESS &MEDIA https://shellyjyoti.com/press/

 ARTISTS BLOG:https://shellyjyoti.com/blog/

 

 

 

Paper presentation at XVII International Conference,Goa

Paper presentation at XVII International Conference,Goa

XVII International Conference, Goa 21-24 December 2014 Venue: International Centre, Goa   SALT-A COLONIAL METAPHOR: RELEVANCE TODAY VERBAL, VISUAL AND NEW ART MEDIA By Shelly Jyoti Delhi based Artist, Poet and an Independent curator

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Abstract :My paper is an attempt to theorize my own artwork ‘Salt: The Great March 2013-14’ series I& II- A visual Art project. The Salt March series explore salt as a symbol of non-violence. The project is inspired by the Gandhi’s theory of satyagrah- a challenge to ones own truth with stress on self-purification, self-examination and self-assessment. Satyagrah stimulates our conscience and soul searching for the upliftment of all (sarvodaya). The “Salt” series explore khadi as a contemporary social movement visualized through art and traditional craft traditions and processes, seeking out the possibilities of bringing the khadi spirit into our daily lives. If by spinning, weaving and wearing khadi, can the commitment to individual action bring about a sense of pride in our nation in the 21st century? Can such an action bring about nationalistic feeling and significant changes in our society? The “Salt” series is a continuation of my earlier series, ‘Indigo Narratives (2008-14) that were inspired by an anti-colonial, nonviolence movement that took place in 1917-18 and also Gandhi’s first non-violence protest ‘champaran’ movement for indigo farmers in India. The works feature site-specific khadi fabric installations including clothing, 40 artworks utilizing Ajarkh textile traditions on khadi fabric and spoken poetry video film. To draw from ‘Parapolitics: Toward the City of Man’, can modern societies become genuine moral communities? According to Gandhi, they can. Gandhi’s vision of a Sarvodayan society is embryonic, but nonetheless engaging and stimulating explaining swadharma for individuals defining traditions and duty clearly. These works have been exhibited at IGNCA (Indira Gandhi National Centre for Arts) New Delhi (Sept-Oct 2013):India International Centre, New Delhi (September 2014): The Museum Dakshin Chitra, Chennai (Oct -Nov2014) Lectures of the above at IGNCA New Delhi , Lalit kala Academy , Chennai, Apparao Galleries Chennai, New Delhi  2013-14 Scheduled venues: Baroda (2015): Gandhi memorial Centre Washington Dc 2015.

click here :https://www.youtube.com/watch?v=WXl8bgjmA7Y

www.shellyjyoti.com

‘Lincoln, Gandhi and Obama : A creative visual dialogue in Miniature painting style’

‘Lincoln, Gandhi and Obama : A creative visual dialogue in Miniature painting style’

“Lincoln, Gandhi and Obama: A Creative visual dialogue in Miniature painting style”

By Shelly Jyoti Artist, Designer, Poet and an independent curator

View the full 23 min lecture at The ATWS conference  IIT Chennai

Video credits:  Dr Kehbuma Langmia

Image : ‘Lincoln ,Gandhi and Obama: A visual Dialogue’,Gouache  on  wasli paper,11×8 inches, 2013

 For

Association of Third World Studies (ATWS)

31st Annual International  Conference

28-30 December 2013

Chennai, India                                            

Venue: Indian Institute of Technology Madras (IIT Madras)

Erik H. Erikson records in his book “Gandhi’s Truths” that when Mahatma Gandhi met with the British viceroy in 1930 after the Indian salt protest campaign, Gandhi took some duty-free salt from his shawl and said with a smile that the salt should ” remind you of the famous Boston Tea Party’.

From the Boston Tea Party to Gandhi’s Salt March, struggles over economic issues have historically had great importance in anticolonial movements. This artwork has multiple parallels and references of Boston Tea party, blue pottery from china and Obama’s self-confessed wisdom derived from Lincoln and Gandhi.

Abstract: Using a visual language , I am exploring  within my recent artwork titled  ‘Lincoln ,Gandhi and Obama: A visual dialogue’(2013)  the commonalities between legends Lincoln and Gandhi, the two great political leaders of their times who fought for the freedom of their countrymen . Further they both have been personal mentors and inspiration to Obama . I am attempting to create the imagery in Persian miniature art form engaging by weaving a dialogue between Lincoln, Gandhi and Obama . As a contemporary artist, my works are centred on historical iconographic elements within the cultural context of Indian history. I explore and construct the hermeneutics of period histories, its contemporary representation of socio-economic and political inquiry within my art practice. This artwork is an extension of my previous projects ‘Salt: The Great March’(2013) and ‘Indigo Narratives’(2009-13) which examined Gandhiji’s involvement in freedom struggle as an anti-colonial resistant movements.

My paper would explore in facilitating a visual dialogue and also investigating the technique of traditional miniature artwork that originated from Persia and came in India through Mughals and still prevent in India in different styles.

‘Lincoln, Gandhi and Obama: A visual dialogue’(2013)  series of artworks will be discussed by   Mandakini V Jha(Dept of Sociology M.S university Baroda)in her paper titled “A Painting on Lincoln: Sociological Theory , Art and Artists”

          

 

SHELLY JYOTI REVIEW 2013

Shelly Jyoti                                                                                                       

Artist, Designer, Poet and an independent curator

 

REVIEW 2013    Newsletter

January –April 2013

INDIGO:SHELLY JYOTI &LAURA KINA (Two woman show)

Chicago Cultural Centre IL USA

Public lecture: Chicago rooms, Chicago Art Galleries  IL

Talks: Art Institute of Chicago ,Textile Dept of chicago, DeePaul Univ chicago

In part supported by ICCR  New Delhi and Gujarat lalit kala Academy

 

Sept- October   2013

SALT: THE GREAT MARCH

Re-contextualising Azrakh textile tradition in contemporary art and craft (Solo show)

Indira Gandhi National Centre for the Arts IGNCA New Delhi

Catalog: Publication by IGNCA

Public lecture: Re-building a Sense of Nationalism , Lecture Hall at IGNCA

The show supported by IGNCA

 

November  2013

CARE package  C/o India (Group show of 5 Asian or Asian descent artists )

India International Centre, Lodhi Estate, New Delhi India

 

November – January 2014

INDIGO: SHELLY JYOTI &LAURA KINA

Gandhi Memorial Centre Washington DC

Supported by Embassy of India , ICCR  New Delhi

 

December 2013 Conferences

SALT AND INDIGO : A VISUAL TRANSLATION IN REFRENCE TO THE COLONIAL HISTORY

For  XVI International Conference, Forum for Contemporary Theory

Theme: “Translation, Comparatism and the Global South

Date: 15 – 18 December 2013  Mysore India

 

Lincoln, Gandhi and Obama: A Creative visual dialogue in Miniature painting style

The 31st Annual conference of the Association of Third World Studies (ATWS)

Theme:Prioritizing the Future:Continuing and change in the Global South in the 21st Century

28-30 December 2013

Chennai, India

Indian Institute of Technology Madras (IIT Madras)

 

SHELLY JYOTI STUDIO :91 958225062 |   0124 4000154  shelly12@yahoo.com www.shellyjyoti.com

 

INDIGO Re-opens in Washington DC by Charge d’Affaires Ambassador Taranjit Singh Sandhu

INDIGO Re-opens in Washington DC by Charge d’Affaires Ambassador Taranjit Singh Sandhu

Shelly Jyoti   Newsletter

 November 16, 2013

INDIGO: WORKS BY SHELLY JYOTI & LAURA KINA

 The  distinguished  chief Guest –  Ambassador Taranjit Singh Sandhu ,Charge d’Affaires, Washington DC

November 16 until January 2014

                                                                                                                                                        These  exhibits will be presented by Gandhi Memorial Centre in co-operation with Embassy of India with support of Indian Council of Cultural Relations (ICCR)

Saturday, November 16, 2013 opening reception of “Indigo: An Exhibition of Textiles by Laura Kina and Shelly Jyoti” at the Gandhi Memorial Center with distinguished Guest Mr. Ambassador Taranjit Singh Sandhu, Embassy of India – Washington DC

Click to view  Priyum Jyoti speech on the opening day on  project Indigo Narrativeshttps://www.youtube.com/watch?v=P3NgUWvYR-g

View photos by Abby Moy from the opening reception:
http://www.flickr.com/photos/63834915@N03/sets/72157637763656534/with/10904726225/

View news from Gandhi Memorial Centre , Washington DC 

http://gandhimemorialcenter.org/

The exhibition will be on view through January 2013 Fri and Sat 10am-4pm and by appointment. 4748 Western Avenue, Bethesda, MD. www.gandimemorialcenter.org

 INDIGO project is a  two women show in collabration chicago based artist laura kina who presents INDIGO: Deveon Avenue series.The works were previewed in vadoadra,Gujarat (2009), exhibited in New Delhi (2010) , Mumbai (2010)and travelled across the continent to Seattle (2011), Miami (2011), Chicago(2013) and now re opening in  Washington DC (2013-14)

Shelly Jyoti

shellyjyoti12@yahoo.com

www.shellyjyoti.com

as

 

 

INDIGO:SHELLY JYOTI& LAURA KINA Re-opens in the seventh venue at washington DC

INDIGO:SHELLY JYOTI& LAURA KINA  Re-opens in the seventh venue at washington DC
Saturday, November 16, 2013
Opening Reception from 2:00 – 4:00pm
Inaugural Remarks at 2:30pm 

Click Here to RSVP

INDIGO, an exhibition of textiles by Laura Kina and Shelly Jyoti will be inaugurated at the Gandhi Memorial Center in cooperation with the Embassy of India and with support of the Indian Council for Cultural Relations on November 16th at the Gandhi Memorial Center, from 2pm to 4pm. Mr. Taranjit Singh Sandhu, Deputy Chief of Mission, will be the distinguished guest for the afternoon. The exhibition features Laura Kina’s “Devon Avenue Sampler” and Shelly Jyoti’s “Indigo Narratives”.  The common thread between both bodies of work is the color indigo blue from India’s colonial past, to indigo-dyed Japanese kasuri fabrics and boro patchwork quilts, through blue threads of a Jewish prayer tallis, to working class blue jeans in the U.S.  Since 2009, “Indigo” has exhibited in galleries and cultural centers in Baroda, New Delhi, Mumbai, Seattle, Miami, and Chicago.